The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
'Prashant has left us and it is really tragic. But I want to hold on to those little moments of happiness that he shared with me and with others whose lives he touched. That is how I want to remember him.' Aseem Chhabra pays tribute to Patang director Prashant Bhargava, who passed away on May 16. He was only 42.
The journey of the digitally restored version of The Apu Trilogy is packed with dark stories and years of near detective work by those determined to preserve some of Satyajit Ray's finest works.
Over Dosas in Mumbai, Oscar winner Megan Mylan tells Vaihayasi Pande Daniel why she chose India and girls empowerment as the subject of her new documentary.
'It is widely believed that such posts require lobbying. Maybe they do, but I can say this straight up, I did not lobby. This appointment has been on pure merit. My lobby is myself and I don't need to lobby,' Waman Kendre, newly-appointed director of NSD, tells Neeta Kolhatkar
Deven Verma passed away into the ages on December 2. We re-publish an interview done with the veteran actor.
'It's very expensive for a girl to become an actress. I remember I was nominated at all the award shows for Tanu Weds Manu, and conscientiously, like a new actress, I attended all of them and I was bankrupt by the end of it! I had to find a costume stylist, a hair stylist, a makeup stylist...!' Ronjita Kulkarni/Rediff.com gets inside Swara Bhaskar's mind.
On Hrishikesh Mukherjee's 91st birth anniversary on September 30, we bring back excerpts from a Rediff interview with the brilliant filmmaker, just after the release of his last film, Jhoot Bole Kauwa Kate.
'When it came to S D Burman, a Guide song was completely different from a Tere Mere Sapne song which was completely different from a Sharmilee song. Except for their quality, there is nothing to link them together.' 'Lata was his ultimate voice. He felt there was nobody like Lata. "Give me a harmonium, give me Lata and I will make music," he said.'
